I was a teenager in the 80’s so I know what it was really like, in those ten years I went from child to man (ish…). It wasn’t a straight line between the two either and I still remember so much of it.
’80 was a big deal, the future was here and I was ready for it with one hand slowly letting go of my Hornby train set controller and the other hand on a leather jacket putting badges on the lapel. By ’81 I was going to the Glasgow Apollo and I was set in a new direction which I’ve never strayed from: music.
In ’83 there were suddenly girls, practical rather than theoretical. ’84 I got my first electric guitar. The next two years were a scrabble for a plan for my future but having discovered girls and guitars I blew it and left school wondering what to do next.
Still, by the end of the decade I was an engineer and had hair down past my waist.
And a 32″ waist. Oof.
All through this, what folk now call “The 80’s” was happening around me at arms length. The horrendous fashion and the universal neon highlights didn’t come anywhere near me but the sound of synthesizers was never far away if you were a movie fan and in the very early 80’s synths were still a bit counter culture and unusual in popular music. Their initial other worldliness softened as new wave absorbed them into regular pop and their voice became as unremarkable as a distorted guitar had become.
So when 80’s cultural references became increasingly popular I was a little dismissive, I remember Reagan, Thatcher and the birth of AIDS as much as anything from that time and I wasn’t a fan of Miami Vice. There wasn’t much in a revival for me, the music I loved back then is mostly still alive and well.
This attitude persisted until Stranger Things gripped me and didn’t let go. Googling the composers of the soundtrack started a chain of events thanks to the hardcore spying techniques used by the popular search engine and led me discover what is called synthwave by some – new artists making new music inspired by the sounds of the 80’s.
A lot of it just sounds like Jan Hammer or Tangerine Dream but one band has shone bright and pink out of the crowd for me, GUNSHIP. They write songs, not soundtrack pieces and the vocals bring the retro synth sounds alive. With a fat modern production and an ocean of analogue tones their debut album has been my favourite music for months.
There’s lots of cues from the past in their songs, but they still sound fresh, not recycled in any way. Their videos are brilliant too, plenty of cultural reference liberties taken with style and humour.
It’s so rare for me to find new music I really love, but GUNSHIP have done it for me and I have preordered a signed copy of the second album.
Hey, I’m not 50 just yet, so what the hell.